Ideology and the Confining Reality of Order vs. Disorder: The Missing Link in Thomas L. Friedman’s Ongoing Disbelief


In his column, Order vs. Disorder, Part 2, Thomas L. Friedman, of The New York Times, says that, “The Israeli-Arab conflict has become a miniature of the most relevant divide in the world today: the divide between the ‘world of order’ and the ‘world of disorder.’

Friedman’s muse for his sense of order and disorder as defining our world, and reaching back into his Part 1, The World According to Maxwell Smart, which I wrote about here, is Wallace StevensConnoisseur of Chaos :


A. A violent order is disorder; and

B. A great disorder is an order. These
Two things are one. (Pages of Illustrations)

Stevens sees this as “the pretty contrast of life and death” which “Proves that these opposite things partake of one,/At least that was the theory when bishops’ books/Resolved the world. We cannot go back to that.” Yet even Steven concedes – and this is what I think Friedman misses completely and thus stops short in his analysis – that, “The squirming facts exceed the squamous mind.”

We bump along with minds indeed covered by scales, squamae. Thus we protect our vistas from penetrating horrors; but we’re also prevented from reaching beyond the accepted notion that we live in a world defined by order vs. disorder. “The squirming facts” escape us; we view the world without concern for history or historical development. Our ahistorical reality is caused by the role ideology plays in our confusion.

Friedman acknowledges this confusion, a world, then, of contradictions – which we accept, that we see as normal and amidst cries of horror, we turn away:

Israel faces nonstate actors in civilian clothes, armed with homemade rockets and drones, nested among civilians on four of its five borders: Sinai, Gaza, Lebanon and Syria. And what is most striking about this play is that the traditional means of bringing order seem ineffective. Israel, a mini-superpower, keeps pummeling the ragtag Islamist militias in Gaza with its modern air force, but the superempowered Palestinian militants, leveraging cheap high-tech tools, keep coming back with homemade rockets and even a homemade drone. You used to need a contract with Boeing to get a drone. Now you can make one in Gaza.

Nothing is, in Friedman’s mind, as it should be – “the traditional means of bringing order seem ineffective.”

We see this same confusion – or uncanny consternation – when looking in on the Russia vs. Ukraine, NATO, and Western ideology debacle. We also see this in the Ebola Crisis where now, 2 Americans infected with the virus are heading to Atlanta – the first Americans to be treated of this virus in the States.

What’s going on? What’s lead to a world, in Friedman’s critique, that’s arranged as a destructive binary, order vs. disorder?

“When all the old means of top-down control are decreasingly available or increasingly expensive (in a world of strong people and strong technologies, being a strongman isn’t what it used to be),” argues Friedman, “leaders and their people are going to eventually have to embrace a new, more sustainable source of order that emerges from the bottom up and is built on shared power, values and trust.”

He’s wrong, of course. He’s merely supplanting one ideology for another that, if we look a little deeper into language such as “new, more sustainable sources of order” and that romantically “emerges from the bottom up” and “built on shared power, values and trust,” we see the expected, the politically correct, neoliberal viewpoint that is meant to uphold the current balance – and imbalance – of power by gesturing almost comically to the way things are, which is the world we’ve had a hand in creating. Friedman’s rather comical, even cartoonish solution is also part of the problem because it fails to see the real.

“What to do?” as Friedman asks.

We need to go deeper; we need to dig further, inquiring into our current incapacity to use language to describe what we are and who we are, and why we fall, as Friedman does, into cliché – or bad poetry.

We can begin this inquiry by turning to Stevens, again, and jumping off from here:

A great disorder is an order. Now, A

And B are not like statuary, posed

For a vista in the Louvre. They are things chalked

On the sidewalk so that the pensive man may see.


The pensive man … He see that eagle float

For which the intricate Alps are a single nest.

Friedman feigns the “pensive man,” but he’s concerned only with the surface structure of things, an analysis solely of the spectacle. In fact, it is about the spectacle, only; it is the most important reality in our lives because it synthesizes our mysteries, our crises, and our solutions, too. The spectacle, in fact, is hope – the greatest and most profound fallacy. And Friedman is one of the analysts – and mouthpieces – for the ruling ideology of the day that is essential for buttressing the spectacle, arguing, first, that there is a problem – order vs. disorder – and then dissimulating a solution, a “more sustainable source of order that emerges from the bottom up and is built on shared power, values and trust,” which is delivered to us as if it’s viable, though confounding: “Leadership will be about how to cultivate that kind of order. Yes, yes. I know that sounds impossibly hard. But when isolated Gazans can make their own drones, order doesn’t come easy anymore.”

In the spectacle, we are always told – and must embrace – the notion that things are bad and that solutions, the viable ones, are difficult, and because of these difficulties nearly unreachable. The spectacle, then, is a dream – a dreamscape; a place where dreams and nightmares live together.

Infusing this ideology are several gestures that are systemically well organized, so much so that we accept these ideas – and methods – unconsciously; we are thus indoctrinated into a fallacy built on binaries, a vital component of the spectacle: 1. there are a multitude of critical, almost unsolvable problems warring with each other; 2. these crises are both unacceptable but normal; and what’s normal is suffering since not all crises can be addressed – it’s the way of the world, the acceptance of brutality; 3. there are reasonable ways through the crises; 4. these are dependent upon an order that comes through the hierarchical value systems delivered to us from our most powerful institutions – government, finance and its marriage with the military and education.

For Stevens, only the “pensive man” can see this; only we live in a time where compression of experience is essential for maintaining and ensuring our understanding of an order that requires our acceptance of the binary, order vs. disorder. The “pensive man” is obsolete – and if not, then he’s overly romanticized to the point that he’s rendered helpless. This is how ideologies function.

Ideologies are the destructive force of civilization; they blind and bind; they keep us from seeing “that single eagle float.” Ideologies give us an artificial view of the world; give us a prescribed language; and in this artificiality, the only real thing that can exist is materialism as hope and value. This is where the corporation comes in, the major engine behind the spectacle.

As John Ralston Saul says in The Unconscious Civilization, we are a society addicted to ideologies. The most dominant ideology is “corporatism.” “The result,” argues Saul, “is a growing imbalance which leads to our adoration of self-interest and our denial of the public good.”

Now, look again at Friedman’s Israeli-Arab conflagration; look again at Russia vs. the Western world, Ukraine as the vessel; look again at the Ebola crisis, the result of this gross imbalance brought about by ideologies consistent with plunder. In short, we live in a symbolic ordering of our world – and our crises – that point in two directions simultaneously: a disordering, a dissolving of our conditions, and likewise a possible rebuilding that’s based on commodity culture, global capitalism, the edification of systems of power that marry finance, the military and education. In essence, and following Slavoj Žižek, “the main point is to see how the reality itself cannot reproduce itself without this so-called ideological mystification.”

That’s Friedman’s solution – and his take on the Israeli-Arab crisis – “ideological mystification”; that’s why, in his own words, his solution “sounds impossibly hard,” which then requires a mystifying, and accepted, cliché, a gesture towards the incapacity of escaping our ruling ideology-creating apparatus, “order doesn’t come easy anymore.”

The world we have today is not a binary, order vs. disorder, wrongly argued by Friedman. It’s a world of little knowledge and, not vs., a world of even less knowledge, all of it hanging by a thread – yet complacent – in the animated, antiseptic and artificial spectacle we call the real.


Under the Hood of Education: A View of the Classroom

Often, when I’m out socially (this is rare), I am asked about “education.” The questions go like this: “How’s school?” “Are you done yet?” “What do you think (about this or that on the news or concerning an opinion someone has heard)?”

I’ve found that the best way to respond is by telling a story that lifts the hood and exposes the education engine — or at at least a part of the engine. So here’s a story …

I teach a course that’s a typical (perhaps not ?) composition course for students who may lack some confidence writing — yes, even at Middlebury. It’s called Writing Workshop 0101A (I didn’t come up with the title; you can’t access the course without a password). Students read challenging literature, gain confidence interpreting what they read and learn how to move these interpretations into subjects for their writing. Easier said then done.

I’ve designed the course so that we read only one novel the entire 12 week semester, Don DeLillo’s 827 page Underworld (1997). Students always complain that they are given too much work; that they don’t have time to effectively ingest all the material that they’re given; that they learn for the test, then forget the material. I therefore pace this course as a response to these critical points, giving students the necessary time — and space — to think and reflect, dialog and write.

Students read approximately 160 pages every other week. The in-between weeks are for writing: students come into class with rough drafts and we peer-review; they also receive comments from me, one-on-one, and come to my office, too, to discuss their work as it’s being written. Lots of scaffolding. The course is labor intensive. Leading up to these writing workshop weeks, students are given in-class prompts relevant to what we’re reading in Underwrold — a passage, perhaps, or an entire section. Online, prior to coming to the class discussion on a particular sequence, students have been capturing major ideas and themes and posting them on a forum; they respond to each other, establishing a mellower, online version of our discussions. (I use these to touch on major points students make, and lecture in the gray areas.) Writing, then, happens all the time; it’s a model I want students to have: writing is not just for a grade, rather it’s a practice that should genuinely be done all the time; it’s a way to learn, to see yourself thinking; it’s a way to make sure we don’t lose what we’re thinking; and writing engenders life-long learning, which is what everyone in education says is desired.

For example (I’m trying to be quick about this explanation), Underworld begins with the famous prologue, “The Triumph of Death.” “He speaks in your voice, American,” says DeLillo, “and there’s a shine in his eyes that’s halfway hopeful.” The implications of this line for the rest of the narrative are significant — and daunting. We spend about 25 or so minutes discussing this line and the different paths it gives us into the narrative. Then I give the students a writing prompt (and 10 or so minutes to write in class, afterwards they share their insights): think back to a significant moment in your life that changed your life; this event was perhaps unexpected — or perhaps it was planned — either way, before the event you had one perspective, after you had another: what was going on in your life, the conditions of your life, including your community, family, and so on? what lead you to this event? what happened? Take us through it. And on the other end, the moral of the story is …?

I keep repeating these prompts, in different ways, circling the class, until all heads are down and the students are writing. I don’t care if students write on paper or on a computer (I have no rules against computers in the class, finding these, well, for lack of a better word, stupid: if you’re going to teach this generation, you better get used to — and learn how to — work with computers, cells phones, tablets, etc., in your class, otherwise you have no business being in the classroom).

In all, students will write 5 official essays in the course ( 5 – 7 pages each). What’s significant is that each student essay grows from this intial writing exersice, giving (a) students an entry into Underdworld (b), evolving a theme of the course: a piece of writing, a note, scribbling, a response to a prompt, done at any time, is relevant and can — and must — be used to evolve the more formal writing, and, finally, (c) students learn that they’re going to see, in Underworld, the narrative proper, only what they bring (experience) to the reading and writing act.

The role of the teacher in a writing course is to tap into these student experiences — the knowledge students already bring to the table. In a safe, creative space, students will expand creatively, moving from the deeply personal to the more subtle and complex world(s) of Underworld — but always able to see their signature, which began in their first paper. This is how writers work. I’ve chosen never to cloud this up with ridiculous rhetoric.

Sorry it took this long to get to this last point — what exactly is the knowledge students bring to the table? — but it’s critical to the rest of the story.

It’s important to note, at this time, that this exercise, these lessons, Underworld, is all happening inside an elite liberal arts college in New England. That is to say, we need to understand that the work I’m describing — and doing here — happens behind the hallowed ivy walls of a tradition that suggests that students are learning to think critically on their way to becoming strong, mindful and empathetic, self-reliant democractic citizens; that this tradition is “influenced by the Stoic goals of self-command, or taking charge of one’s own life through reasoning,” says Martha Nussbaum in Cultivating Humanity. And that what I’m trying to do, again quoting Nussbaum, is to arouse the mind, which is essential “for citizenship and for life, of producing students who can think clearly and justify their views.” In education, any other mission is a waste of time.

So now you have a context. And now you can begin to understand what may be going on in education when you see the rest of the story. Here we go: One day, I come to class — this is 3/4’s of the way through the semester, between weeks 8 – 9, and students are pretty accustomed to how we’re working — having in mind to go over a challenging passage in Underworld.

In typical DeLillo fashion, we have beautiful writing, a conflation of the historical with the personal, the psychological and the emotional, and the culture. “On a large console the screen was split four ways and the headshot ran in every sector and, ‘It’s outside language,’ Miles said, which is his way of saying far-out, or too much, or the other things they used to say …”

The key, here, is “headshot.” It’s JFK’s murder in Dallas on that fateful day that seemed to change the country — or, perhaps, the country had already changed and the murder was simply its symptom, a final event lifting the curtain so that Vietnam and Nixon, Watergate and the culture of cynicism we’re in now could emerge.

DeLillo continues: ” … and here was an event that took place at the beginning of the sixties, seen belatedly, that now marked the conceptual end, carrying all the delirium that floated through the age, and people stood around and talked, a man and woman made out in a closet with the door open, remotely, and the pot fumes grew stronger, and people said, ‘Let’s go eat,’ or whatever people say when a thing begins to be over” (496).

In a liberal arts environment full of inquirying minds, one would want students to pick up on “the beginning of the sixities,” “the delirium that floated through the age, “the pot fumes” (the very least), and wonder about that “headshot” that’s “outside language,” exciting a need to know; this creative disruption should, then, launch students into a Google search to come to understand how and why “the screen split four ways” and “the headshot” actually mark “the conceptual end” of an age. Reading is a contact sport and this is the work of reading critically.

DeLillo adds yet two more hints for an easy Google search: Elm Street and Zapruder. Here’s how it reads, finally, bringing the entire passage to a close:

It ran continuously, a man in his forties in a suit and tie, and all the sets were showing slow motion now, riding in a car with his confident wife, and the footage took on a sense of elegy, running even slower, running down, a sense of greatness really, the car’s regal gleam and the muder of some figure out of the dimmest lore — a greatness, a kingliness, the terrible mist of tissue and skull, so massively slow, on Elm Street, and they got something to eat and went to the loft, where they played cards for a couple of hours and did not talk about Zapruder. (496)

There it is — the images are running “continuously” on TV, hence suggesting the importance of “the murder of some figure out of the dimmest lore”; these give off a “sense of greatness”, and there’s a car that has a “regal gleam,” a la Camelot, and the horrid — and beautifully described, capturing the culture to be, the one needing reality TV — “terrible mist of tissue and skull,” moving slowly on “Elm Street” (the motorcade had to proceed to Dealey Plaza, before exiting onto the Stemmons Freeway, again turning onto Elm, from a segment of Main Street, the often disputed and critical change of plans).

DeLillo ends the entire passage with, of course, the most critical of signs, Zapruder, which should, if nothing else, send readers off into a quick but meaningful search to learn it’s function. In other words, if all other rather emphatic signs are missed or dispensed with, finding the significance of Zapruder would create a domino affect and everything would cascade into a single understanding. This is how great writing works. There is a key, a sign-function that opens doors (though these lead to other doors).

When I Googled Zapruder, before class, it took less then 3 seconds to see the first, full suggestion, “Zapruder film,” followed by the second, “Zapruder.” I chose “Zapruder,” not film, thinking that a student may push aside “film” since it’s not in the passage (even though there are images running “continously” on TV). The entire reference is here. This Google exercise, including reading the entry, took no more then 5 minutes to complete.

Back in class, I looked around and asked, after opening up to the passage and re-reading it to the class (students read it for homework a week earlier!), “What is Zapruder? Who or what is Zapruder?”

No answer. Thick silence. (There is creative, necessary silence a teacher works for in a class, and there is non-creative silence, the kind only someone dumbfounded relies on. This was the latter.) By now in the semester, students are not intimidated; we’ve joked around enough and they’ve learned that I’m not someone that creates an inhospitable environment — just the opposite. The learning space I create is open, welcoming, suggesting to students that they can take chances because they’re supported. In fact — not to boast but to give you a full picture — this is indeed my reputation judging from 27 years worth of students’ evaluations performed every single semester I’ve taught.

So then I say, “Someone Google it, please. Google Zapruder.”

In seconds, a few students find Zapruder and one kid reads: “The Zapruder film is a silent, color motion picture sequence shot by private citizen Abraham Zapruder with a home-movie camera, as U.S. President John F. Kennedy’s motorcade passed through Dealey Plaza in Dallas, Texas on November 22, 1963, thereby unexpectedly capturing the President’s assassination.”

The students leaned back, “Oh…,” some say. And if the students would have kept reading the entry, they would have learned about Elm Street.

I leaned forward, and asked, “When you guys read, how many of you have computers open?”

Just about every single student raised her/his hand.

“And are these computers open to Google, Facebook, Twitter? What?”

Students said that their computers are open to just about all of these — multiple windows — including (ironically) Wikipedia for some. (Is the notion of “Windows” also ironic, the deepest and darkest irony, I wonder? Windows to what?)

“And so, in the course of the semester, when we read, how often do you think I ask you guys, in class, to turn to Google and look something up?”

“You always do that,” they answered in unison. Some nodded, “Yeah. Always. We always do it. ”

“So could this be a hint? A suggestion? Something at all that may, at some point, suggest to you that what I’m asking you to do is to look things up, quite easily, using the technology at our fingertips?”

Silence, again. Students look away, down at their iPads and MacBook Pros.

New Yorker Cover, May 28, 2012. A picture says it all.

There are three distinct challenges higher education is facing: For American students, the challenge is obvious: international students are gobbling up resources and advancing efficiently, particularly in science and economics and technology, creating spaces for themselves, in the U.S. and abroad, and American students have yet to wake up to the fact that, as Thomas Friedman said years ago, the world is indeed flat ; that this race to have the most luxurious “stately pleasure – dome…Enfolding sunny spots of greenery,” as Coleridge says, particularly when we add labor costs — faculty with PhDs and the large staff needed to maintain this “miracle of rare device” — is not sustainable. (Elite institutions, recognizing that change is inevitable, have begun to address this problem.) And the last, the third challenge, perhaps the most critical of all, is that we’re not sure what our students bring to our classrooms — emotionally, psychologically and knowledge: the culture has had an effect on our students and we don’t yet know what this is, though we’re experiencing what we call something, an unknowable, perhaps, something strange and different, unfamiliar.

We’re not talking about who our students are and how they may perceive the world we’re trying to squeeze them into.

I’ve been in higher education for 27 years. I have seen a lot of changes and I’ve seen a lot that looks like change but is nothing more than smoke and mirrors. But perhaps the biggest change has been the student. We need to engage our students differently so as to better learn who they are and what they want; we need to also better engage the world outside the ivy because it, too, has changed and it’s not at all what we perceive it to be.

A huge change in the American student — leaving aside the other two distinct challenges facing American higher education — is found in the story I tell.

In a recent News Hour interview, Andrew Delbanco, Columbia University professor, speaking about his book, College: What it Was, Is, and Should Be,” tries to defend the traditional four-year college experience with a liberal arts education, joining a long list of scholars addressing the issue, and finds that the liberal arts, four-year experience is “not lost, but I think it’s under threat from many directions. And much of that is understandable. The anxiety that parents feel about the cost of colleges … It’s well – place anxiety.”

But when we look at the cost of a four-year liberal arts education, we’re failing to place this in a greater context that is more threatening to a democracy, which is our allegiance to mindless corporatism that has a primary function of scorning knowledge itself. This is why students, sitting with computers open to Google, cannot make the connection and search for Zapruder even though the behavior has been modeled in class time and time again. Thus, as John Ralston Saul says in The Unconscious Civilization, probably the best thinking on this subject, we have been given permission to “interiorize an artificial vision of civilization as a whole.” Students may see Google as part of their world, not ours, in academia, with our demands and constraints. Google, and other systems, are their liberating tools; when brought into the confines of a traditional classroom and used as a tool rather then a liberating break from confusion, a student’s identity is challenged — his or her sense of self is upside down. They’ve been taught, always, to have neat lines of demarcation that define pleasure and work — and school is work since it’s valued as a system for socio-economic success. Zapruder is therefore irrelevant to a student’s vision of reality. Students actually said this. Students embrace ideologies that insist on the “oppressive air of conformity” that “force public figures to conform or be ruined on the scaffold of ridicule.” Doubting and questioning are gone, then. “The citizen is reduced to the state of the subject or even of the serf.” Our students come into our classrooms already reluctant to challenge their position — subjects; they’ve been lead to this because they’ve never been taught to think for themselves and learn through experience. For many students, their lives have been managed.

Our communication technologies, our culture that holds fashion to the highest levels, though it’s the lowest form of ideology, is what paralyzes students that have been spoon fed a culture that insists they be driven to play dates, organized games, the proper college prep courses, the right channels to elite instituions. What is behind this narrative, though, is crude “individualism and false modernism,” leading to a life in a void. Instinct and common sense are lost. They’ve been taught that the world is hostile and that life is a competition. The horror. They can’t connect to Google in an academic setting, even if it’s to their benefit. The student sees absolutely nothing important, nothing relevant in the action of Googling Zapruder so the meaning of the DeLillo passage has been completely lost. But that’s okay, for students. The meaning of the passage, its significance in the narrative is not relevant; it’s an exercise we’ll go over in class. What is relevant is simply getting through the course, nothing more, since this is what’s being promoted culturally: get a degree in something meaningful and this will give you a good life. Students are taught to follow, not to pursue creative disruptions of the status quo.

I feel for my students. I care for them. I have kids their age as well. I feel for all these kids in school today, graduating tomorrow, because I wonder whether they can think critically, critique, fear not standing out because they question.

I leaned forward, again, and said to the class, “Remember this day when you’re handed your diplomas. I want you to go to your parents and thank them. Say, Thank you for spending over a quarter of a million dollars to make sure I’m one more sheep that will follow on command.”

I wasn’t expecting the students’ reaction. They laughed. “Professor Vila, you’re so funny,” they said. “So funny.”

I leaned back in my chair, briefly thinking that I wanted to jump out a window — and I’ve not stopped thinking about this day since.

Says Saul,

We can now add to the list such simple battles as that for consciousness versus the comfort of remaining in the unconscious; responsibility versus passivity; doubt versus certainty; delight in the human condition or sympathy for the condition of others versus self-loathing and cynism regarding the qualities of others.

So, “how’s school?” “What do you think?”

Higher Education and Education Reform: The Uncanny Stranglehold on Change

In order to reform education — code for altering and restructuring public education in socio-economically strapped urban settings without considering the will of the people affected, even if it means privatization and exclusion — we have to look at the entire picture, the continuum, K-16. The problem lies here.

In The Learning Connection: New Partnerships Between Schools and Colleges, Gene I. Maeroff, Patrick M. Callan and Michael D. Usdan, tell us, citing Roland Barth of the Harvard Graduate School of Education, that, “dual citizenship remains evanescent.” And that the “two sectors [K-12 and higher education] — at a time when both need reform, renewal, rethinking, and restructuring — have few connecting mechanisms to enable them to work cooperatively on issues of mutual concern.”

The challenges we face require that we re-think our complacency with current systems and arrangements. “With up to one-third of the children under age 6 growing up in poverty or economically marginal circumstances,” Maeroff, Callan and Usdan continue, “the K-12 system is confronting serious social as well as educational challenges.” The situation is grave and costly and if we don’t re-address these connections we will march into a bifurcated society — if we’re not there already.

But reform will not be enacted — and be done creatively — if we neglect the relationships between K-12 and colleges and universities. University culture hangs over K-12 education; it’s cloak of anxiety and fear overwhelms the young and their families, leading both to cower before the hallow ivy. Higher education, at its best, marginalizes and divides. It’s disconcerting because higher education is suppose to be about self-actualization.

Higher education is mired in a perspective that is inconsistent with self-actualization. Higher education is enthralled by data driven excellence and the pursuit of efficiency; it sacrifices individual talent, and effort, and privileges materialism. This is an antiquated — and destructive — way of being, commonly known as a “silo approach,” but perhaps Paulo Freire’s characterization, a “banking system,” fits best since all signs suggest that education is the new corporation, the new kid on the block comprised of powerful multinationals.

No one is happy. Everyone is confused. No one has any answers, it seems. “Without major changes in the reward system in higher education — affecting appointment, tenure, and promotion,” argue Maeroff, Callan and Usdan, “there is little chance for meaningful and sustained change and involvement in K-12 issues. We refer here to universitywide policies because collaboration efforts ought not to be limited to the faculties of schools of education.”

David Helfand, for instance, a Columbia University professor for 35 years, who chaired the astronomy department, is on leave to serve as President of tiny Quest University Canada, a liberal arts college. In the Tamar Lewin New York Times article, “David Helfand’s New Quest,” Helfand says, about Quest, that, “We have to make sure people’s inherent conservatism isn’t allowed to come through. We have to institutionalize revolution, or we’ll end up with departments and semester-long courses.” In other words, the silo or the banking system shuts down self-actualization, departmentalizes it and renders it helpless. The residue of institutionalized departmentalization, its power to place blinders on the scope of our vision, is overwhelming K-12 education; it comes in the form of high stakes testing and educational divisions separating children’s learning experiences along soci-economic and racial lines.

We thus have a society divided. Segregation is brought about by the discontinuity in K-16 education. The educational system, then, accepting inequalities, is willing to work towards small gains within “the limits inequality allows,” says Jonathan Kozol in The Shame of a Nation: The Restoration of Apartheid Schooling in America.

Curriculum materials that are alleged to be aligned with governmentally established goals and standards and particularly suited to what are regarded as ‘the special needs and learning styles’ of low-income urban children have been introduced. Relentless emphasis on raising test scores, rigid policies of non-promotion and non-graduation, a new empiricism and the imposition of unusually detailed lists of named and numbered ‘outcomes’ for each isolated parcel of instruction, an oftentimes fanatical insistence upon uniformity of teachers in their management time, an openly conceded emulation of the rigorous approaches of the military, and a frequent use of terminology that comes out of the world of industry and commerce — these are just a few of the familiar aspects of these new adaptive strategies.

And these adaptive strategies so well described by Kozol have their origin in the new University that, according to the late Bill Readings in The University in Ruins, “no longer participates in the historical project for humanity that was the legacy of the Enlightenment: the historical project of culture. Such a claim also raises some significant questions of its own: Is this a new age dawning for the University project, or does it mark the twilight of the University’s critical and social function? And if it is the twilight, then what does that mean?”

The University is, in fact, in a new dawn, on the one side struggling with its antecedent — its role in humanity’s historical project; the other being the lure of materialism, “the reconception of the University as corporation,” says Readings, “one of whose functions (products?) is the granting of degrees with a cultural cache, but whose overall nature is corporate rather than cultural.”

Students in Professor Helfand’s Columbia class, he tell us, when he was asking them why they weren’t as inquisitive as 4th graders, inform him that, “Fourth graders are curious and university freshman by and large aren’t…There’s too much to learn, and it’s all on Google anyway.” And, says another, “This is a seminar. Asking questions could be a sign of weakness. You can only ask questions in big lectures where you’re anonymous.” So, says another student, “You have to understand, I’m paying for a degree, not an education.”

There you have it. Students — and their paying families — want a degree, not an education. Only education — and especially higher education — is responsible for this extraordinarily shortsighted view, which is costly in more way then one since it’s given us the society we now have.

We’re therefore left with the corporation. The corporation is the culture — and vice versa. The elite cannot sidestep this bind either. “The elite universities disdain honest intellectual inquiry, which is by its nature distrustful of authority, fiercely independent, and often subversive,” says Chris Hedges in Empire of Illusion. “They organize learning around minutely specialized disciplines, narrow answers, and rigid structures designed to produce such answers. The established corporate hierarchies these institutions service — economic, political, and social — come with clear parameters, such as the primacy of an unfettered free market, and also with highly specialized vocabulary …a sign of the ‘specialist’ and, of course, the elitist, thwarts universal understanding.”

What emerges are managers of the dominant system, not change agents, not enlightened individuals that can question, imagine something different and transgress the means of blind production. Education K-12 is part of this system, weeding out those that can become the elite managers of the system, separating them from those that will service the system elsewhere — manual labor, the service industries and, more emphatically, in the prison industrial complex, as guards and inmates.

Education means to control and manage, not enlighten and enable actualization; it creates specialists, the elites, and a slave class through its apartheid system. The system is inverted — inverted totalitarianism.

In higher education, tenure is, of course, part of the problem. It’s a system of discipline and punishment that insists on embracing the larger framework as ideal. “It’s not exactly a system designed to attract the most entrepreneurial, risk-taking types,” Helfand tells Tamar Lewin . “Furthermore, tenure has little to do with teaching. Just look at the language: we talk about teaching ‘loads’ and research ‘opportunities,’ and you can be sure it is exploiting the latter that gets you tenure,” he says. Tenure is synonymous with advancing in a corporation; the language is interchangeable.

We can hear echoes of Foucault’s Discipline and Punish here: “The apparatus of punitive justice must now bite into their bodiless reality.” Indeed. Our education system, K-16, and our students, our teachers and professors, too, enter this “bodiless reality” where discipline and punishment are exercised. “Since its no longer the body,” says Foucault, “it must be the soul” that must be disciplined. Education serves this purpose in our society: it disciplines the soul into subservience and blind allegiance; it enables citizens to embrace the most dangerous thing of all, ideologies.

The result, says John Ralston Saul in The Unconscious Civilization, “will be the portrait of a society addicted to ideologies — a civilization tightly held at this moment in the embrace of a dominant ideology: corporatism. The acceptance of corporatism causes us to deny and undermine the legitimacy of the individual as citizen in a democracy. The result of such a denial is a growing imbalance which leads to our adoration of self-interest and our denial of the public good.”

Self-interest trumps self-actualization in Education. This can be turned around if we, in higher education, examine our purpose. And if our purpose is even remotely about self-actualization — ours and our students’– then we’re called to re-evaluate the conditions in the University that have lead us to the dire circumstances we’re in today. On this road we’ll realize a few things: we’re not sure who are students are and what they need and want; we’re not sure about our world because we reject the notion that we, in academia, had something to do with its creation; we are fearful of releasing ourselves from the binds of departmentalization and devising new and fresh approaches to learning that take into consideration how much we’ve come to know about learning and the brain; and we are definitely frightened of releasing our sense of ownership and control over our disciplines to give way to different and fresh, interdisciplinary approaches, though our life at hand is telling us that we must since nothing, nothing at all really ever exists confined as we make it out to be in our silos, our disciplines. K-16 education needs to be re-invented as a long journey towards self-actualization that pushes aside departmentalization, corporatism and racism, our current conditions.