The Search for Illumination: Education In the Penal Colony

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By HECTOR VILA

for my mother, on her 91st birthday, 12/19, who tells me she wishes she were 30 so that she could once again teach kids about this world today and take to the streets

“I don’t know. I don’t think I can go to study abroad in Paris,” she says and hesitates and grins.

When she sits across from me, her shoulders are barely higher than my desktop. Her hijab frames her face perfectly: wide, inquisitive, dark eyes that are alive, dancing, penetrating; high cheekbones; her lips are full and when she smiles she gets small creases at the sides of her mouth that resemble ripples edging from the shore of a serene lake.

I ask why not?, though I know the answer: She’s from Sierra Leone and a Muslim.

“Even when I flew to Kenya,” she continues, still smiling, “the police at the airport stopped me — it was very scary — because they thought I was Somali. No one is safe — no one that looks like me. An African Muslim.”

She giggles a bit, this time as if to call attention to the tragic irony of it all.

This young woman, but nineteen, left her family and traveled from Sierra Leone to Hong Kong to the United States to the state of Vermont andMiddlebury College for an education. She’s earned scholarships all the way. She’s brilliant and will undoubtedly do great things in the future.

But reality is harsh; the world she — and all of us, really — navigate is dark, foreboding, threatening, many parts forbidden.

How then do we justify this world to our students? What do we tell her? Where’s opportunity now?

What is the educator’s role in addressing the harsh reality that not everyone has the right and capacity to move about freely in what we still falsely call the free world?

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2016 — What Barry Blitt’s New Yorker Covers Tell Us About the Year

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Barry Blitt-The New Yorker

Barry Blitt-The New Yorker

 

Let’s try something different. Let’s look at the year through the critical lens of one of the most profoundly effective and influential political cartoonists, Barry Blitt, whose dark humor is engaging, prophetic, and resolute. Blitt’s power is in his capacity to capture the essence of a person or a situation, while likewise describing the mood of the culture at-large.

Yes, I know, I’m talking about the elite New Yorker… but so, there’s something here.

At year’s end, we can conclude that 2016 has been harrowing, here in the USA and abroad — Iraq, Syria, Iran, still Afghanistan, Isis, nationalism on the rise, Brexit, the refugee crisis everywhere we look, walls on our southern border, rampant racism, violence, and the always ongoing disastrous confusion about guns, questions about cops, education in a crisis, the militarization and corporatizing of everything, a circus-like election, and, of course, president-elect Donald Trump pushing us kicking and screaming through the looking glass and into a potentially dark, parallel universe.

How did Blitt see the year? Let’s take a look, beginning with February….

continue reading here…