The Ever-Receding Future
July 30, 2008 2 Comments
Dedication: For My Students @ Middlebury
To say it less sublimely, —in the history of the individual is always an account of his condition, and he knows himself to be a party to his present estate.
Ralph Waldo Emerson, The Conduct of Life
Common myth says that a person doesn’t choose a horse—the horse finds his owner.
We’re unsure when or how our accumulated knowledge becomes our very own signature—nor if it ever becomes so since our antecedents are eternally lurking, ghosts whispering in our ears; we are not even sure how much experience and study will be required for us to lay claim to the recognition that this or that is known, completely ours.
So what we do is wait—we prepare and we conjecture and we project, we assume, and we wait for the dawn of the day when we’ll rise and pull open a curtain on to the universe we’ve imagined and suddenly there it is, a slight tug, a pull, a subtle but simple realization that everything we do is somehow interconnected. And we smile—but we don’t know exactly how we got to this point, to this intimate acquaintance with ourselves, a state of familiarity with everything we do, every gesture. Since we have been so used to waiting and projecting, so accustomed to assuming what might be us, when a moment of certainty comes we mistrust it. Take you as ‘twere some distance knowledge of him, says Shakespeare in Hamlet. We see a ghost of ourselves—a version of some imagined being; we’re not quite sure what to make of what we see and feel then. We look to the poets and philosophers—are they the true antecedents to who we are? —to help us along and fill us in on what we may be silently feeling and thinking. W. B. Yeats tells us that the “aged man” is nothing but “a paltry thing”; nothing but “a tattered coat upon a stick.” What hope is there when the single most significant recognition we can lay claim to is that life has passed us by much too quickly? That the world is moving much too rapidly for our desperate need to recognize ourselves in it all—the trees and the birds; the oceans and the sky; the people; the mountains and the deserts; the buildings and the bridges, the made-made wonders of iron, steel and plastic; the bits and bytes of our metaphorical expressions of ourselves?
We have to be ready for it—the ah ha moment; be alert and aware; sense ourselves in the world. See the world for what it is—and what it’s not.
But our world—fast-paced, information driven, globally networked through fiber and nature and plastic mechanisms—works against our need to attain knowledge through time—time enough to be aware, time enough to realize ourselves within a moment in history and define its relevance, and time enough to be, simply to be in it, the world, and thus define who we are.
To be knowledgeable is to possess a great deal of awareness. This suggests that intelligence is achieved through maturity—the condition of being ripe or fully grown, especially mentally or emotionally. For this we need nurturing. Our age, though, is really about setting forth, being independent, growing up fast and furiously, consuming early. “Every spirit makes its house,” says Emerson; “but afterwards,” he tells us, “the house confines the spirit.” The houses we’ve built protect us, we assume—but they also confine us and create border conflicts among us. We appear destined to rebel against our very own architectures. There is something there that does not love the confinement of our house; it is the knowledge, gained almost too late, that what we have erected is marred by ways to obfuscate and avoid, defer and repress, alienate and accuse.
Truer words have never been spoken:
“Since we have been so used to waiting and projecting, so accustomed to assuming what might be us, when a moment of certainty comes we mistrust it.”
I find myself at a crossroads that I expect to continue on for at least another year, until I have first answered the ‘what-after-graduation’ question, and then comes the ‘ok-now-what’ question. But in the meantime I like to think I am going through the process of looking for my horse, although I made the conscious decision to remove that sign from my head that says ‘Horse Wanted’. Here’s a secret that I discovered: while the world promised us a horse at the end of the road–and maybe even a horse-drawn carriage to wrap things up in–if you listen, really listen through all the voices in and out of your head, you might hear a cow (in Middlebury, most definitely!) or a dog or a lion. It’s definitely a leap of faith to be ready for the unexpected, but by doing so hopefully we’ll go back to our original hunter-gatherer instincts and maybe just put up ‘temporary’ houses instead of the ones that ‘confine the spirit’. Living in an age where your best friends are from a country right next to yours (but it took you an eight-thousand mile plane ride to find them) and where boyfriends come from across the ocean, the idea of ‘home’ has also shifted and with it, I feel the idea of who we are and what we expect to be has transcended to another level. We, or more truthfully I, are slowly having to give up the idea of making our house where the grass is greenest and having to move to where there might just be no grass yet. But by trying to do so, I feel it would be the first step in conquering the fear of the unexpected. And hey, where there’s grass sooner or later, the horse will come!
Wow. I really didn’t expect to write any of this and I apologize for the incessant clichés, but this distance from the notion of ‘home’ and the process of forever searching for the ‘right expectations’ to have has thrown me in a loop and what’s written above is my most recent state of mind. Hopefully, there will be changes to report on!
It’s when we stop crossing roads, when we don’t see crossroads as always already happening, that’s when we die, metaphorically and literally, because only at crossroads, or on the margins, which is what you’re describing, do we find the imagination, life itself in full blossom. This is what you’re seeing and experiencing–a life complete full and exciting, a life of possibilities. You’re living by what Melville calls “dead reckoning.” Now you have to read Moby Dick.